New name captures essence of place of sanctuary
Rising from the geothermal valley above, mud pools and steam vents is Te Puia. Once a pallisaded fortress, Te Puia protected
the people and its culture from warring tribes. Today Te Puia stands majestic of a way of life upholding the values of Maori -
past, present and future.
Forty one years of being The New
Zealand Maori Arts and Crafts
Institute has come to an end for
one of Aotearoa’s iconic Maori
cultural operations.
From now on, the institute will be
known as Te Puia, recognising the
hill behind the famous Pohutu, the
world’s most accessible geyser.
Te Puia has always been a place of
sanctuary and its new name -
translated as geyser, or geothermal -
will now be used in association with
the protection of traditional Maori
arts, crafts and culture.
But Te Puia will be more than a
name for the most popular cultural
tourism visitor attraction in
Aotearoa New Zealand.
The rebranding signals the start of
a campaign aimed at focussing
attention on the three distinctively
different, but complimentary,
visitor experiences within Rotorua’s
Whakarewarewa valley.
The sub-brands which will sit under
Te Puia involve the culture, the
geothermal and the institute’s arts
and crafts.
Te Puia chief executive Andrew Te
Whaiti says the geothermal valley
and cultural experiences on offer at
Te Puia are the biggest drawcard
for visitors, 600,000 of whom visit
the attraction each year.
However research has shown that
not all international visitors are
interested in both.
Those nationalities who have
extensive cultural backgrounds
often visit to see the geothermal
features, including the Pohutu
geyser.
But others, especially British
visitors, are fascinated by the Maori
culture. Andrew says that by
separating the three aspects of Te
Puia, the organisation can market
itself more appropriately to the
different international markets.
In that regard, a roll-out of the new
branding will take place
progressively in Australia, North
America, Britain, Europe and Japan.
But despite the rebranding, Andrew
is emphatic that the original name
of the country’s most visited Maori
cultural attraction will not be lost
altogether.
“By separating the carving and
weaving schools from the other
attractions - while retaining the The
New Zealand Maori Arts and Craft
Institute name - we have clearly
positioned it as a school of higher
learning,” he says.
In fact Te Puia’s re-development
plan calls for the expansion of the
working place for the carving and
weaving schools and a new
exhibition gallery.
New nature walk sets scene for that which
is yet to come